Matthew Lewis opened up to Fault magazine about the day he, and
Harry Potter producer David Heyman, found out about the passing of Alan Rickman on the same day, when he visited the set of
Fantastic Beasts and Where to Find Them in early January this year.
That, as well as what projects he chose after the completion of the Harry Potter series, can be seen below alongside a new photo shoot.
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Alan Rickman must have been a pillar for both yourself and your career. How did you react when the news came through of his passing?
Matthew Lewis: I was at Leavesden Studios the other day, visiting the set of Fantastic Beasts and I was with the producer who did all the Harry Potter films. He was taking me around the studio when the news came through. We were both just completely stunned.
But also, to be in the studio when that came through, suddenly every room that I went into, every corridor that I walked down on, I suddenly remembered a story or an image of Alan. It got a bit odd. It was quite surreal. But also, powerfully moving as well. It was quite nice to be there. All those happy memories came flooding back and I got quite nostalgic actually. I went back home last night and just watched loads of interviews with him. It’s hard to describe.
On his last day, I had a cup of tea with him in his trailer and we just sat and chatted about the future of my career and what I should do. He just offered me advice in where I should go and he said some things to me that filled me with a lot of confidence. And when you hear those sorts of things from someone of his stature, his ability, it means a lot.
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Can you tell me a bit about your life after Harry Potter? How did your career play out after wrapping 10 years of wizarding?
Matt: I decided to do a play, for 192 times haha. When it came down to it, I didn’t really know what I was doing. It was such a different school of acting than what I was prepared for. Getting up on stage, everything has to be bigger. You can’t internalize, as much as you can on camera, it has to be all big for the audience to experience it.
And I just didn’t get that and I think I was shouting for most of it. Someone described my voice as being ‘excruciating’ and I remember reading that review and going like ‘ohhh sh--t, 191 more shows to go’. And I think I just had to really knuckle down and watch the other actors and directors. Before the end of it, about 3-4 months into it, I just clicked. By the end of the run, the reviews were the complete opposite. I learned how to project my voice instead of just screaming at eye-level.
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Did you find it difficult breaking the Harry Potter mold?
Matt: Not really. The first thing after Harry Potter, I played a guy who was not very nice. He wasn’t exactly a desirable character. And then I did a film where I was rough and ready; I was capable of throwing my muscle and weight around a little, completely unlike Neville.
I don’t really get offered those types of roles anymore. The lovable, vulnerable, cheeky, Neville-type roles. They just never come up, it’s not like I’m getting them and turning them down. Maybe I’m just really good at being a dickhead haha. Neville was quite complex in his character, with his history and things like that, but I am more drawn towards characters that are shades of grey.
I don’t like the idea of black and white. I’m drawn to characters that make me question things. What made him this way? Why does he want this? Why is he behaving in this manner? That’s what I find interesting. And you can only get that from complex interesting characters.
Matt also attended the London premiere of his upcoming romantic drama,
Me Before You, on Wednesday evening at The Curzon Mayfair. A few photos from the red carpet of the feature, out this June 3rd, can be seen here.